Lynnette Bowman

Played by: Keres

INFORMATION

Heavily augmented bee, Female, Unknown

Aliases: Keres, Bowman, Lynn
Nationality: American
Residence: New Carthage
Employer: Brotherhood of Phoenician Sailors
Function: Assassin / Mercenary
Twitter: @ArsDolus

• Introduction •

• Digging Deeper •

• Psychological Profile •

• Known Associates/Affiliations •

• Special Notes •

• Buzzing Lore •

• Black Signal •

There are very few official Illuminati records of Lynnette Bowman's existence, but one generally wouldn't want to publicly acknowledge an assassin whose very existence breaks numerous Council rulings on forced recruitment and necromancy. Even as she slaughters her former colleagues the Illuminati have refused to acknowledge her existence to the Council.

Despite her extreme capabilities for manipulation Lynnette is terrified of social interaction on a meaningful, interpersonal level due to prior trauma from her tenure as an Illuminati assassin and agent. She manages to overcome her crippling anxiety through heavy dissociation, using her mask as a literal divider between the monster that the world sees, and the scared little girl within. Lynnette's external persona allows her to remove herself from the immediate equation and instead play a role. Lynnette herself doesn't have to be confident, she only needs her mask to be confident. Fake it until you make it.

Her external persona relies on rehearsed bravado and bombastic, nigh reality defying charisma intended to hide any sense of fear or weakness. It's primarily a holdover from her time in the Illuminati where it was a necessary survival technique. She only needed to act as the opposite of what she felt within to appear strong.

Verena Viktoria (Ex-Mechanic and engineer), Ariel Nikitich (Associate), Monsoon (Associate)

There are few records of a Lynnette Bowman ever existing. No yearbook photos, no extracurricular awards. No public web pages. No social media. Except for one, an obituary from a local Brooklyn newspaper in 2006 that describes the tragic death of a young girl in a housefire, and a matching death certificate. A closed casket service followed, and she was buried a week later.

Our wisdom flows so sweet. Taste and see...

TRANSMIT - initiate the shattered signal - RECEIVE - initiate the neuroplastic frequency - AND NYX BORE HATEFUL MOROS AND BLACK KER - witness the revenge of Tyre - WE ARE MONSTERS AND THEY ARE BUT MEN - tread lightly through the uncanny valley - WITNESS - The Keres

Have you ever wondered what happens when you took five from one, Sweetling? What happens beyond the pedestrian arithmetic. The existential nightmare of the whole that no longer was? Even should you manage to return what was removed, will the numeral achieve the abstract concept of completion once more?

Numbers present an easier route of conveying complex information to the nonliving, to computers made of copper and gold instead of meat and gore. Everything boiled down to a simple series of ones and zeroes. Binary possibilities fused together into a writhing mass of data, explaining away incomprehensible nuance.

Alive, dead. Good, evil.

But when the binary fails? What of the decimals between human and not?

Illumine the two fifths.

The less than human, the not quite alive.

WITNESS

The one that got away.

In the pitch black bowels of Tokyo lurks a terrible myth, a story that cuts to the bone. A monster of the most horrific kind. Something not quite dead, and not quite alive. Something no longer human, but far too similar to those of flesh and blood.

The Keres.

[LEGEND 7 MISSING]

Perhaps you’ve seen her judgements. Husks skewered to walls, brutalized and missing parts. Messages of blood and organs painted with vengeful brushstroke after brushstroke.

Fear is her paint and all of Rome is her canvas.

[LEGEND 9 MISSING] She was once a sweetling just like you, a talented child forcibly rebirthed into the hidden reality, torn from the comfort of her past delusions and made to witness every oozing sore on the underbelly of existence.

[LEGEND 11 MISSING]

We do not play favorites with our sweetlings, all are equal under the bosom of the Immaculate Machine. The honey touched are children of the mother of mothers.

But some children do not behave.

Some do not play their intended roles.

Some play them far too well.

Sssssssssssssssssssssssssssssss-I am the price of freedom-let me in.

How many black and blues does it take to make the world a more just place, Chuck? You of all people would know.

You want to play hero? You want to be a savior? You want to protect all those innocent kids like you?

You're batting zero for three, Chuck.

Wonder how many of them just like you are lying on the sidewalk, drowning in a puddle of obsidian and crying themselves into their final rest? Wonder who did such a thing, don't you, Chuck? Who could jam a crowbar into the door, pry it off its hinges and let loose an unending font of suffering and terror?

Why don't you ask that cute little thing on the radio? The spacy little doll with remorse in her eyes, the poor girl chasing redemption at the bottom of a bottle every night, wondering if tonight is the night she atones? Ask her who, Chuck.

Your nifty new friends aren't blue, but they're all black on the inside, and isn't that where it really counts?

They smell doubt, Chuck. They see weakness. They know you don't belong. How long until they tear you apart? Rip them open-open-open first and see their true colors. Find the truth.

The truth is you're not the hero. You're not even the hero of your own story-story-story.